Vicente Joaquim Ferreira Pastinha (commonly called Mestre Pastinha) (April 5, 1889, Salvador, Bahia, Brazil – November 13, 1981) was a mestre (a master practitioner) of the Afro-Brazilian martial art Capoeira.
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Pastinha was born to José Pastinha (born Pastiña), a poor Spanish immigrant who worked as a pedlar and Eugênia Maria de Carvalho Ferreira, a black Bahian homemaker. He was exposed to Capoeira at the age of 8 by an African named Benedito. The story goes that an older and stronger boy from Pastinha's neighborhood would often bully and beat him up.One day Benedito saw the aggression that Pastinha suffered, and then told him to stop by his house because he was going to teach him a few things. In his next encounter with that boy, Pastinha defeated him so quickly that the older boy became his admirer.Pastinha had a happy and modest childhood. In the mornings he would take art classes at the Liceu de Artes e Ofício school where he learned to paint; afternoons were spent playing with kites and practicing Capoeira. He continued his training with Benedito for three more years.
In 1941, by Aberrê's (Pastinha's former student) invitation, Pastinha went to a Sunday roda at ladeira do Gengibirra located at bairro da Liberdade, where the best Capoeira mestres would hang out. Aberrê was already famous in these rodas (see Capoeira), and after spending the afternoon there, one of the greatest mestres of Bahia, Amorzinho, asked Pastinha to take charge of Capoeira Angola.
As a result, in 1942 Pastinha founded the first Angola school, the Centro Esportivo de Capoeira Angola, located at the Pelourinho. His students would wear black pants and yellow T-shirts, the same color as the Ypiranga Clube, his favorite soccer club.
He participated with the Brazilian delegation of the "First International Festival de Artes Negras" in Dakar, Senegal (1966), bringing with him João Grande, João Pequeno, Gato Preto, Gildo Alfinete, Roberto Satanás and Camafeu de Oxossi.
Pastinha worked as shoeshiner, tailor, gold prospector, security guard (leão de chácara) at a gambling house (casa de jogo) and construction worker at the Porto de Salvador to support himself financially so that he could do what he loved the most, to be an Angoleiro.
Eventually Pastinha's academy fell on hard times. Pastinha, old, sick and almost totally blind, was asked by the government to vacate his building for renovations. But the space was never returned to him. Instead it became a restaurant and entertainment outlet. Pastinha died a broken man and bitter about his treatment, but never regretted living the life of a Capoeirista. Pastinha was left abandoned in a city shelter (abrigo D. Pedro II - Salvador).
Having dedicated his entire life to Capoeira Angola, he played his last game of Capoeira on April 12, 1981. Pastinha, the father and protector of Capoeira Angola, died at the age of 92 on November 13, 1981. He is survived by two of his most learned students, João Grande and João Pequeno who continue to share Pastinha's Capoeira Angola with the world.
C. Daniel Dawson would later write,
Excerpt from Capoeira Angola and Mestre João Grande by C. Daniel Dawson
The concept of lineage is one that is of primary importance to the practitioners of Capoeira Angola. Lineage, the chain of teachers (mestres) and students, defines a person's place in the Capoeira community, and structures a school's teachings and philosophies. Styles may evolve differently through different teachers, who, in turn, pass these new styles on to their own students.
Although there existed a number of other Angola mestres during his time in Pelorinho, Pastinha's school can be considered the most influential in shaping Capoeira Angola into what it is today. Most mestres of Capoeira Angola can trace their lineage back to Pastinha.
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Pastinha |
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João Pequeno |
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João Grande |
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Boca Rica |
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Aberrê |
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Curió |
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Barba Branca |
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Jogo de Dentro |
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Pintor |
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Moraes |
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Canjiquinha |
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Cobra Mansa |
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Jurandir |
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Braga |
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Neco |
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Lua |
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Valmir |
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Silvinho |
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Leiteiro |
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